Best English Movies of 2019 | Top Rated
This year it won again comics. Scorsese would be fucked up. But we have been on the comics for a long time. Logically, even in the movie, because when you frčovat Hollywood popcornovkách, you have to enjoy comics. And that there were a few great - for us, the great comics revolution was long overdue and certainly not caused by the interchangeable Black Panther, as the Oscar Academy believes.
In 2008 and 2012 it was won by the Dark Knight and the Dark Knight rose up by Christopher Nolan, in 2010 Kick-Ass Matthew Vaughn and last year he got on the pedestal of Logan James Mangold. Genre is a grain in the sea of comics bulls, which we have recommended for other years (see the charts for the years 2005, 2006, 2007, 2009, 2011, 2013, 2014, 2015, 2016 and 2018 ), but it is good to mention. This year, however, the most powerful player of all, Marvel, rejoices for the first time.
Yes, they will be paying us back to MarvelZone, but the numbers are clear. The ending of the twenty-part superhero movie series Marvel Cinematic Universe called Avengers: Endgame was essentially perfect. Not because of the links and winks for the fans, but rather because of the ties of the heroes and lines played in soloists and teammates with the imprint of the brilliant deadman Stan Lee and their completion to the perfect final.
Avengers: Endgame is a thrilling mega film that enjoys action scenes, comedic miniatures and filigree passages that bend the rules of a busy comics universe, but mainly offers a brilliant denouement of the whole fateful story with the first Avengers and Thanos, flanked by disarming emotional stops Wars). Endgame is a fulfilled fan dream, an incredibly beaten blockbuster spectacle, a dazzling demonstration of storytelling and technology. No one other than the Russo brothers would have been able to resist this catharsis so excellently - because these guys can do top-notch action, trick orgies, parallel storytelling and squeezing emotions that are as easy as an eight-year-old boy like a stiff fifty.
1. Avengers: Endgame
2. Marital History
3. Back in Hollywood
4. Le Mans '66
5. Two Popes
6. John Wick 3
7. Parasite
8. King
9. Irish
10.On the wrong side
Avengers is a definition of the current cinema entertainment options, as the overwhelming Avatar's box office records suggest, but it is supremely symbolic that our rankings are made up of films primarily shown on VOD. At the end of the year, four superb notches were delivered to the souls of Netflix movie connoisseurs, and the revolutionary shifts in distribution are underlined by the awarding of Zahler's Criminal On the Wrong, which threatened to fade in multiplexes. The world is changing and we are with it… but great movies never die. And they can impress even on a small computer screen, even if you would otherwise swear that the cinema and the beauty of its collective experiences will never replace anything. Let's shine on them:
We pulled out Marriage History most of Netflix's late collection. Baumbach's shift from raging New York inrushes to a more universal relationship testimony crushed many editorial hearts. This season, this concert of a sensitive author who has found his ideal expression and a great acting ensemble, with great opportunities for Adam Driver and Scarlett Johansson, will certainly be our favorite.
But the second Netflix handcuff won't be much behind, for the Two Popes are a disarming conversation, a brilliant interplay of two acting matadors, sparkling screenwriting, and Fernando's directorial leadership.
Quentin earned even more points in our chart, although received in the editorial office with his news inconsistently, eventually more pushed and adored than bored. Hollywood's fantastic evocation at the end of the sixties came up with an intoxicating metaphor of the loss (and salvation?) Of American innocence and the bloody tangle of its shining hopes. And she pulled herself up with the coolest characters of the year and the atmosphere it was worth dying for.
Also a great retriever, but from a completely different keg, then Le Mans '66, a generous dobovka with the smell of gasoline and actor Christian Ball. Director James Mangold does not have his distinctive refined style, yet he grows into a pure classic by honest and passionate work on big guy's stalls.
Well, then there's John. The famous and famous John Wick. An icon that barely walks, but at the same time pushed the boundaries of action possibilities one level higher. The Killer Craft Festival, with its perfect choreography, the perfect stuntman of equilibristics, and the ever-serving Keanu Reeves, is a pure genre joy, with a unique visual handwriting and a bold spread of mythology. There will also be four in this lineup!
Even in our editorial colloquium, a big portion of enthusiasm sparked the Korean hit Parasite, which is expected to be a very pleasant Oscar night in February… and deservedly. A brilliant example of a fun ride for all audiences and intellectuals, it works great as a social satire, as well as an entertaining mix of thriller and black comedy. Perfectly comprehensible import with overlap and critical thorn and an example of an incredibly sovereign direction that can jump between genres with unprecedented ease and commonplace.
The venerable director's vision (albeit presented only by the VOD channels) naturally complements the ten in the form of an engaging historical drama King, which is dazzled by camera compositions, unpretentious music and the charism of Thimothée Chalamet. He will be the new DiCaprio.
The absence of DiCaprio and the need to bet on rejuvenating trick technology at De Niro, Pacin and Pesci probably prevented perhaps a jump to a higher position Irishman, otherwise a masterfully crushed mafia/trade union fresco, in which his most famous grifes proudly demonstrates King Martin Scorsese.
And then the splendid notch of S. Craig Zahler, the harsh and stubborn crime On the wrong side, in which the long-story party stories escalate into another brutal carving in which the rumble of bones and cartridges says more than a thousand words. This is what Zahler can do like no one else.
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